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In the last year he accepted a professorship at Cornell, where he created an urban design program that remains his legacy. It was at Cambridge that Eisenman met his mentor. The Newark native had attended Cornell University in the early 1950s and, after working in a few offices, had enrolled at Columbia University in 1959. The following year he received a fellowship to study Gothic architecture at Cambridge. Rowe and Eisenman befriended one another and it was Rowe who guided Eisenman on summer architectural tours of the Continent in 1961 and 1962, during which time Eisenman was introduced to the first group of Italian “Rationalists” from the late 1920s and early 1930s, in particular to the work of Giuseppe Terragni.

He received his architecture degree from Princeton in 1950 and, after stays in the offices of Oscar Stonorov, Louis Kahn, and Eero Saarinen, he won the Rome Prize in 1954 and embarked on an extended residence in that city. He entered private practice in Philadelphia in 1957 and within a few years had carried out a number of small commissions, among them the design of his mother’s house in Chestnut Hill (1959–1964), the North Penn Visiting Nurses Association (1961–1963), and the Guild House (1961–1966).

2 Morris had also been active since the mid-1930s with the movement known as “Unified Science,” which – through the efforts of Otto Neurath, Niels Bohr, John Dewey, Bertrand Russell, and Rudolf Carnap – was seeking a theoretical foundation for all knowledge. 3 Several former masters and students of the Bauhaus, among them Johannes Itten, Josef Albers, and Walter Peterhans, were hired by the new school, but the school’s first director, Max Bill, struggled with the issue of how closely the new curriculum should follow the original Bauhaus curriculum.

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